Payments and change requests
What this is for
Two things that come up constantly once registration is open: getting paid,
and studios asking to change something after they’ve hit send. This page
covers both from your side.
If Registration isn’t in your left-hand menu, it’s not in your plan yet
— ask us.
The money is yours, in your account
This is the most important thing to understand, so it’s worth stating
plainly:
You are the merchant. The money settles into your bank account.
Herding Cats doesn’t hold your registration money, doesn’t sit between you
and it, and doesn’t pay it out to you later. A studio pays; it lands in
your account on your normal payout schedule.
The card on the Registration page says it the same way: You’re the
merchant of record: money settles to your bank, refunds are yours to
issue.
Refunds and disputed charges are handled in your own payment account, not
here.
Turning on card payments
You’ll need a payment account. Setting one up is a guided process run by
the payment company, not by us — we just hand you off and get the answer
back.
Go to Registration
You’ll see a card headed Online payments.Click Connect Stripe
You’ll be taken out to their site.Answer their questions
Your business details, and where you’d like the money to go. This is
normal payment-account setup — bank details, tax details, the person
responsible.Come back
You’ll be returned to the Registration page automatically.Check the badge on the card
If you’ve made changes on their side and the badge looks stale, click
Refresh status.
Only an admin can connect or change the payment account. Coordinators can
see the card, but the buttons aren’t there for them. That’s deliberate —
this is where your bank details live.
What a studio sees
Once you’re Live, a studio that has submitted sees a Payment card
with Total, Paid, and Balance, and a button reading
Pay {amount} online. It takes them to a secure hosted checkout page.
Nobody at your company, and nobody at Herding Cats, ever sees a card
number. There is no card box anywhere in Herding Cats.
If you turned on deposits, they also get Pay {amount} deposit instead,
which only appears when a deposit is genuinely less than the full balance.
Setting up your payment rules
These live on each event’s Registration tab, in the Payments
section.
- Accept checks — Studios submit first and mail a check; you record it
from the Registration inbox. - Allow paying a deposit now, balance later — turn it on and then say
what the deposit is: A set amount per entry or
A percentage of the total.
Recording a check
When an envelope shows up, write it down.
The studio gets an email saying their payment was recorded, and it appears
in their own payment history right away.
The dialog tells you: Use a negative amount for a refund. Type -150 to
record a refund of $150. Note this only writes it down — actually sending
the money back is something you do in your bank or your payment account.
If you typed a check wrong, your team can delete that line and enter it
again. Card payments can’t be deleted — they’re a real record of a real
charge.
The invoice a studio can print
Every studio can open View / print invoice on their own registration.
It’s numbered (something like REG-A4F91C22), lists their entries and
what’s been paid, and shows the Balance due. The footer tells them to
put that number on the memo line of a check.
You don’t have to generate anything. It’s always there and always current.
Putting a registration on your books
The printable invoice above is for the studio. It doesn’t appear in
Receivables — so a studio sitting on $8,400 of unpaid entries shows a
zero balance on its statement, and none of that money turns up in your
aging buckets.
Invoice on the studio’s row in Submissions fixes that. It raises a
real, numbered invoice (INV-0043) for what the registration owes, and
from that moment the money behaves like every other receivable you have.
What changes once you’ve done it:
- The studio’s statement shows the balance, and the invoice lands in
the right aging bucket from the date they submitted. - Every payment already recorded — checks you typed in, cards they
paid — is carried across, so the invoice opens showing the right
balance, not the full amount. - New payments keep up on their own. Record a check, or a studio pays
by card, and the invoice updates itself. There is no second thing to
remember. - Refunds come across too, as negative lines that put the balance back up.
Invoicing a registration doesn’t charge anyone twice or double your
revenue. Registration income already reaches your financial reports from
the payments themselves — this only lets Receivables see what’s owed.
Clicking Invoice twice can’t create a second one. To start over, void
it in Receivables and click Invoice again — though, as with any
invoice here, one that already has payments recorded against it can’t be
voided.
You’ll only see the button if Receivables is part of your plan.
Change requests
Once a studio has submitted — or once your edit deadline has passed — they
can no longer edit their own registration. Instead they send you a change
request: a short note saying what they need.
This exists so those asks stop living in your inbox. Every request is on
the record, attached to the right registration, with your answer next to
it.
Approving or declining one
There are two ways to approve, and picking the right one saves you the
work.
Go to Registration
A card headed Change requests appears whenever something is waiting.
If nothing’s pending, the card isn’t there.Read the request
You’ll see what they asked for, plus which studio and which event.Choose Approve & reopen for edits, Approve, or Decline
- Approve & reopen for edits — the registration goes back to the
studio. They make the change themselves and resubmit. This is the one
you want for anything at entry level: a swapped dancer, a renamed
routine, a dropped or added entry. - Approve — records the decision and nothing else. You make the edit
yourself. Use it for the things a studio can’t touch: a fee you’re
waiving, a category you retired, anything past your own deadline. - Decline — says no, on the record.
- Approve & reopen for edits — the registration goes back to the
Add a note
Both approve buttons offer an optional note back to the studio.
Declining asks for a reason, and warns you it’s sent to the studio — so
write it the way you’d say it on the phone.
Neither button edits anything on its own — a request is a sentence
somebody typed, not an instruction we can safely follow. Approve &
reopen hands the job to the studio, who knows exactly what they meant.
Plain Approve leaves the job with you.
What happens after Approve & reopen
Their registration flips to Reopened for edits and shows up that way
in your Submissions list, so you can see who you’re still waiting on.
It stays in the inbox the whole time — the fees are still counted, and a
check that arrives mid-edit still records normally. You can’t lock it
until they resubmit.
On their side, the studio’s wizard opens back up with a banner explaining
why, and the button now reads Resubmit registration. When they hit it,
their total is recalculated from the entries as they now stand and you get
a fresh submission notification.
Making the edit yourself (plain Approve)
On the studio’s row in Submissions there’s a lock button. Click it to
Unlock, make the change, then click it again to Lock. Unlocking is
for your own editing — it doesn’t hand the registration back to the studio.
That’s what Approve & reopen is for.
What a studio sees
Their request shows as pending until you decide, then approved or
denied, with your note underneath. They can Withdraw anything still
pending.
They get an email either way — subject Change request approved or
Change request declined — carrying your note. If you left the note
blank, the default depends on what you clicked:
- Approve & reopen — Approved — your registration is open for edits.
Make the change and resubmit. - Approve — The competition will apply the change on {event}.
- Decline — The competition declined this change.
A one-line note beats no note every time. “Approved — swapped, no price
change” saves you a follow-up email. “Declined — we’re past the
schedule lock, but come find me at check-in” saves you a difficult
conversation at the venue.